Solo Exhibitions |
|
| 2011 | God Machines Galerie Thaddaeus Ropac, Paris |
| Mysterious Heart, Galeria Soledad Lorenzo, Madrid, Spain | |
| 2010 | Robert Longo, Kunsthalle Weishaupt, Ulm, Germany |
| Robert Longo: Survey Exhibition 1980-2009, Museu Berardo, Lisbon, Portugal (cat.) | |
| 2009 | No Wave, SAKS Gallery, Geneva, Switzerland |
| Robert Longo: Survey Exhibition 1980-2009, Musee D'Art Moderne Et D'Art Contemporain, Nice, France (cat.) | |
| Surrendering the Absolutes, Metro Pictures, New York, NY | |
| Dancing With Chains On, Galerie Hans Mayer, Düsseldorf, Germany | |
| 2008 | "Nights Bright Days", Margo Leavin Gallery, Los Angeles, CA |
| Intimate Immensity, Galeria Soledad Lorenzo, Madrid, Spain (cat.) | |
| 2007 | Children of Nyx, Metro Pictures, New York, NY |
| Beginning of the World, Galerie Hans Mayer, Düsseldorf, Germany | |
| 2006 | The Outward and Visible Signs of an Inward and Invisible Grace, Metro Pictures, New York, NY |
| Ouroboros, Galerie Daniel Templon, Paris, France | |
| 2005 | Robert Longo: Fire, Water, Rock (2003-2005), Galleria Emilio Mazzoli, Modena, Italy (cat.), Curated by Richard Milazzo |
| "Something Wicked This Way Comes", Margo Leavin Gallery, Los Angeles, CA | |
| Robert Longo: Deep Silence, Monchehaus Museum, Goslar, Germany | |
| 2004 | The Sickness of Reason, Metro Pictures, New York, NY |
| 2003 | Lust of the Eye, Galeria Soledad Lorenzo, Madrid, Spain (cat.) |
| 2002 | Monsters, Metro Pictures, New York, NY |
| Robert Longo: Sigmund Freud, Jüdisches Museum, Berlin, Germany | |
| The Freud Drawings, Museen Haus Lange und Haus Esters, Krefelder Kunstmeseen, Krefeld, Germany; Albertina Museum, Vienna, Austria (cat.) | |
| 2001 | The Freud Drawings, Metro Pictures, New York, NY |
| 2000 | Robert Longo: Superheroes, Lipanjepuntin Artecontemporanea, Trieste, Italy |
| Robert Longo: 1980 - 2000, Galleria Emilio Mazzoli, Modena, Italy (cat.) Curated by Richard Milazzo | |
| 1998 | Robert Longo, Gallery Cotthem, Belgium; Cotthem Gallery, Barcelona |
| 1997 | Magellan, Metro Pictures, New York, NY |
| Das Magellan Projekt, Kunsthalle Tubingen, Tubingen, Germany; Kunsthal Rotterdam, Rotterdam, The Netherlands; Kunstalle Bielefeld, Bielefeld, Germany (cat.) | |
| Venice Biennale, Venice, Italy | |
| 1996 | Robert Longo: Kreuze, Museum Fridericianum, Kassel, Germany |
| 1995 | Robert Longo: A Retrospective, The Isetan Museum of Art, Tokyo; Ashikaga City Museum; Kirin Plaza Art Space, Osaka (cat.) |
| Johnny Paintings, Galerie Gana-Beaubourg, Paris, France; Galerie Lüpke, Frankfurt, Germany | |
| Johnny Mnemonic: Works on Paper, Galerie Thaddaeus Ropac, Paris, France | |
| 1994 | Robert Longo, Genereux Grunwald Gallery, Toronto, Canada |
| Robert Longo, Galerie Hans Mayer, Düsseldorf, Germany | |
| 1993 | Bodyhammers: The Cult of the Gun, Metro Pictures, New York; Galerie Thaddaeus Ropac, Salzburg, Austria |
| Robert Longo, Kleines Festspielhaus, Salzburg, Austria | |
| Killing Time, Galeria Joan Prats, Barcelona; Galeria Joan Prats, New York | |
| 1992 | When Heaven and Hell Change Places, Galerie Hans Mayer, Düsseldorf, Germany (brochure) |
| Dreams With The Wrong Solutions, Salzburg Grand Opera House, Salzburg, Austria | |
| 1991 | Robert Longo, Linda Cathcart Gallery, Los Angeles, CA |
| Robert Longo, Texas Gallery, Houston, TX | |
| Robert Longo, Hamburger Kunstverein and Deichtorhallen, Hamburg, Germany (cat.) | |
| Faith in Zero Project, Five Gallery installation: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France | |
| 1990 | Black Flags, Galerie Daniel Templon, Paris, France; Metro Pictures, New York, NY (cat.) |
| 1989 | Robert Longo 1976-1989, The Los Angeles County Museum of Art; Museum of Contemporary Art, Chicago and the Wadsworth Atheneum, Hartford, Connecticut_ (Retrospective) (cat.) |
| Robert Longo, Seibu Contemporary Art Gallery, Tokyo, Japan | |
| Robert Longo, Linda Cathcart Gallery, Los Angeles, CA | |
| 1988 | Robert Longo, Metro Pictures, New York, NY |
| Robert Longo, Menil Collection, Houston, TX | |
| Robert Longo, Museum Boymans van Beuningen, Rotterdam, The Netherlands | |
| 1987 | Robert Longo, Galerie Daniel Templon, Paris, France |
| 1986 | Steel Angels Part I & Part II, Metro Pictures, New York, NY |
| Robert Longo, Donald Young Gallery, Chicago, IL | |
| Robert Longo, Spiral Gallery, Wacoal Art Center, Tokyo, Japan (cat.) | |
| Robert Longo: Studies and Prints, Mackenzie Art Gallery, University of Regina, Canada (cat.) | |
| Sequences/Men in the Cities, University Art Museum, California State University, Long Beach, CA; Contemporary Arts Museum, Houston, TX; Fort Wayne Museum of Art, Fort Wayne, IN (cat.) | |
| 1985 | Robert Longo, The Brooklyn Museum, Brooklyn, NY |
| Robert Longo, Stedelijk Museum, Amsterdam, The Netherlands | |
| Robert Longo, Lia Rumma Gallery, Naples, Italy | |
| Robert Longo: Dis-Illusions, University of Iowa Museum of Art, Iowa (cat.) | |
| 1984 | Robert Longo, Metro Pictures, New York, NY |
| Robert Longo: Drawings & Reliefs, Akron Art Museum, Akron, OH (cat.) | |
| Robert Longo, Larry Gagosian Gallery, Los Angeles, CA | |
| 1983 | Robert Longo, Metro Pictures, New York, NY |
| Robert Longo, Leo Castelli Gallery, New York, NY | |
| Robert Longo, Galerie Schellmann & Kluser, Munich, Germany | |
| 1982 | Robert Longo, Texas Gallery, Houston, TX |
| 1981 | Men in the Cities, Metro Pictures, New York, NY |
| Robert Longo, Fine Arts Center, University of Rhode Island, Kingston | |
| 1980 | Robert Longo, Studio Cannaviello, Milan, ITaly |
| 1979 | Robert Longo, The Kitchen, New York, NY |
| 1976 | Robert Longo, Hallwalls, Buffalo, NY |
Group Exhibitions |
|
| 2011 | View From a Volcano: The Kitchen's Soho Years, 1971-85, The Kitchen, New York |
| 2009 | The Pictures Generation, 1974-1984 The Metropolitan Museum of Art, New York, NY |
| Three: The Triptych in Modern Art, Kunstmuseum Stuttgart, Stuttgart, Germany | |
| 2008 | Sonic Youth etc.: Sensational Fix, Museion Museum of Modern and Contemporary Art, Bolzano, Italy |
| Political Correct, BFAS Blondeau Fine Art Services, Geneva | |
| to: Night, The Hunter College Art Galleries, New York (cat.) | |
| The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum,_ Gunma Museum of Art_, Tatebayashi, Japan (cat.) | |
| Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, Boston, MA (cat.) | |
| The Big Bang, Museo Carlo Bilotti, Rome (cat.) | |
| That Was Then…This Is Now, P.S.1 Contemporary Art Center, New York | |
| Landscope, Galerie Thaddaeus Ropac, Paris (cat.) | |
| Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York | |
| 2007 | Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago; Museum of Contemporary Art, North Miami; Musée D’Art Contemporain, Montréal (2007-2009) (cat.) |
| Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York (cat.) | |
| Chelsea to Caochangdi, Chambers Fine Art, Bejing | |
| History Will Repeat Itself, KW Institute for Contemporary Art, Berlin; Hartware MedienKunstVerein, Dortmund; Centre for Contemporary Art, Ujazdowski Castle, Warsaw (2007-2008) (cat.) | |
| Panic Attack! Art in the Punk Years, Barbican Art Gallery, London (cat.) | |
| Lights, Camera, Action: Artist Films for the Cinema, Kaufman Astoria Studios, New York | |
| Hot Rock, Transmission Gallery, Scotland | |
| 2006 | Fifth Interpretation of the Collection, La Colección Jumex, Pachuca, Mexico (cat.) |
| New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco (cat.) | |
| Les Mouvement des Images, Centre Pompidou, France (cat.) | |
| Ma+h Coun+s, Curated by Barry Rosenberg, University of Connecticut, Connecticut | |
| The Downtown Art Show: The New York Art Scene 1974-1984, Grey Art Gallery, Fales Library, New York University (cat.) | |
| 2005 | Neo-Baroque, Byblos Art Gallery, Verona (cat.) |
| Atomica: Making the Visible Invisible, Lombard-Freid Fine Arts, New York | |
| Flashback: Revisiting the Art of the Eighties, Kunstmuseum Museum for Gegenwartskunst, Basel | |
| Drawing from the Modern, MoMA, New York | |
| 2004 | Biennial, Whitney Museum of American Art, New York (cat.) |
| American Art of the 1980s: selections from the Broad Collections, Washington University Gallery of Art, St. Louis, Missouri | |
| Freud - The Creative Analysis of Analysis, University of Connecticut, Storrs, CT | |
| NY Collects Buffalo State, Buffalo State College, New York | |
| News From Home (Orientalism <> Occidentalism), The Annex, New York (cat.) | |
| Perspectives at 25, Contemporary Arts Museum, Houston, Texas (cat.) | |
| Off the Wall, Bruce Museum of Arts and Science, Greenwich, CT (cat.) | |
| 2003 | Drawings, Metro Pictures, New York |
| Art, Lies, and Videotape: Exposing Performance, Tate Liverpool, Liverpool, England (cat.) | |
| 2002 | Group Show, Metro Pictures, New York |
| The Human Factor: Figuration in American Art, 1950-1995, Fort Wayne Museum of Art, Fort Wayne, Indiana | |
| Super Heroes, Galerie Edward Mitterand, Geneva | |
| Melodrama, Atrium, Vitoria-Gasteiz, Spain; Centro José Guerrero, Grenada, Spain; MARCO, Vigo, Spain (cat.) | |
| 2001 | Postmodern Americans, The Menil Collection, Houston |
| I Need You to Be There, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York | |
| Pictures at an Exhibition, Artists Space, New York | |
| Streit-Lust - For Argument's Sake, Ludwig Forum für Internationale Kunst, Aachen, Germany (cat.) | |
| 2000 | End Papers, Neuberger Museum of Art, Purchase, New York (cat.) |
| Around 1984, A Look at the Eighties, P.S. 1, New York | |
| Group Show, Metro Pictures, New York | |
| 1999 | The Kiasma Collection, The Museum of Contemporary Art, Helsinki |
| 1998 | I Love Art, In Kahn, New York |
| The Edward R. Broida Collection: A Selection of Works, The Orlando Museum of Art, Florida (cat.) | |
| Stills: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Annandale-on-Hudson, New York (broch.) | |
| 1997 | Landscape: The Pastoral to the Urban, Center for Curatorial Studies, Bard College (June 15 - August 2) |
| La Biennale di Venezia: XLVII Esposizione Internationale d"Arte, Venice, Italy (cat.) | |
| Views from Abroad: European Perspectives on American Art 3, Whitney Museum of American Art, New York (cat.) | |
| Stills: Art and Cinema in the Marieluise Hessel Collection, Centro Cultural Light Rio de Janeiro, November 19 - January 4, 1998 (cat.) | |
| 1996 | Group Show, Metro Pictures, New York |
| New York "Unplugged II", Gallery Cotthem, Knokke-Zoute, Belgium | |
| Bang! The Gun as Image, Florida State University Museum of Fine Arts, Tallahassee, Florida (cat.) | |
| 1995 | Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, New York (cat.) |
| Group Show, Metro Pictures, New York | |
| It's Only Rock and Roll, Contemporary Art Center, Cincinnati, Ohio Travelling venues through 1998 (cat.) | |
| Passions Privee, Musée d'Art Moderne de la Ville de Paris, Paris | |
| Alternatives: 20 Years of Hallwalls Contemporary Art Center: 1975-1995, Burchfield-Penney Art Center, Buffalo, New York | |
| (Op) Art Galerie, Galerie Hans Mayer, Düsseldorf, Germany (cat.) | |
| 1994 | New York on Paper, Galerie Thaddaeus Ropac, Paris |
| Drawings: Reaffirming the Media, Kansas City Gallery of Art, University of Missouri (cat.) | |
| Le Temps d'un Dessin, Galerie de l'Ecole des Beaux-Arts de Losient | |
| Old Glory: The American Flag in Contemporary Art, Cleveland Center for Contemporary Art, Cleveland, OH; American Embassy, Copenhagen | |
| Art in Embassies Program, American Embassy, Copenhagen | |
| New York "Unplugged", Gallery Cotthem, Zeedijk | |
| Summer Academy I, Pace Wildenstein Gallery, New York | |
| Fuori USO 1994, Kulturna Manifestacija, traveled to Ex Opififio Gaslini, Pescara; Trevi Flash Art Museum of Contemporary Art, Trevi, Cankarjev Dom, Slovenija | |
| For 25 Years: Brooke Alexander Editions, MoMA, New York | |
| Group Show, Metro Pictures, New York | |
| Oh Boy, It's a Girl: Feminismen in der Kunst, Kunstverein Munich (cat.) | |
| Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina | |
| After Art: Rethinking 150 Years of Photography, Henry Art Gallery, University of Washington, Seattle, Washington (Traveling exhib., cat.) | |
| Sustainable Earth/ Sustainable Art, Remba Gallery, West Hollywood, California | |
| 1993 | Lucio Silla Group Exhibit, Kleines Festspielhaus, Salzburg, Austria |
| Group Show, Metro Pictures, New York | |
| American Postmodern Art (Longo, Schnabel, Salle, Fischl) Ho-Am Art Gallery, Seoul, Korea (cat.) | |
| The 21st Century, Kunsthalle Basel, Switzerland (cat.) | |
| 8 American Artists, Galerie Bernd Klüser, Munich | |
| 1992 | Allegories of Modernism: Contemporary Drawing, MoMA, New York (cat.) |
| Group Show, Metro Pictures, New York | |
| American Art of the 80's, Museo d'Arte Moderna e Contemporanea di Trento, Italy (cat.) | |
| Killing Time, collaborative installation with Jon Kessler, Centre de Recherche d'Exchange et de Diffusion pour l'Art Contemporain (CREDAC), Ivre Sur Seine, France | |
| 1991 | Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose |
| Power, Indianapolis Museum of Art, Indianapolis | |
| 1990 | Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago (cat.) |
| 1989 | A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles (cat.) |
| Fondation Daniel Templon: Musee Temporaire Exposition Inaugurale, Frejus, France (cat.) | |
| Image World: Art and Media Culture, The Whitney Museum of Art, New York (cat.) | |
| 1988 | Altered States, Kent Fine Arts, New York |
| Concept et Imaginatione (recent works from the photographic collection of the Stedelijk Museum), L'Institut Neerlandais, Paris | |
| Visions/ Revisions: Contemporary Representation, Marlborough Gallery, New York | |
| 1988 The World of Art Today, Milwaukee Art Museum (cat.) | |
| The Postmodern Explained to Children, Bonnefantenmuseum, Maastricht, Holland (cat.) | |
| American Art Since 1945, Tochigi Prefectual Museum of Fine Arts, Japan (cat.) | |
| Three Decades: The Oliver Hoffman Collection, Museum of Contemporary Art, Chicago | |
| 1987 | Documenta 8, Kassel, West Germany (cat.) |
| L'Epoque, La Mode, La Morale, La Passion, 1977-1987, Musee national d'Art moderne, Centre Georges Pompidou, Paris (cat.) | |
| Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (cat.) | |
| Implosion: A Postmodern Perspective, Moderna Museet, Stockholm (cat.) | |
| Process and Product: The Making of Eight Contemporary Masterworks, Blum Art Institute, Bard College, Anandale-on Hudson, New York )cat.) | |
| Post-Abstract Abstraction, essay by Eugene Schwartz, The Aldrich Museum of Contemporary Art, Connecticut (cat.) | |
| 1986 | An American Renaissance in Art: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale (cat.) |
| The American Exhibition, The Art Institute of Chicago | |
| Das Automobil in der Kunst 1886-1986, Haus der Kunst, Munich (cat.) | |
| Hommage a Beuys, Stadtische Galerie im Lenbachhaus, Munich | |
| Monumental Drawing: Works by 22 Contemporary Americans, The Brooklyn Museum of Art, New York (cat.) | |
| 1985 | Figure It Out: Exploring the Figure in Contemporary Art, Laguna Gloria Art Museum, Austin, Texas |
| New York 85, ARCA Centre d'Art Contemporain, Marseille (cat.) | |
| Body and Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, Ohio | |
| Anniottanta, Galleria Comunale d'Arte Moderna, Bologna, Italy (cat.) | |
| Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh | |
| New York Art Now: Correspondences, Laforet Museum, Tokyo; (1986) Tochigi Prefectural Museum of Fine Arts, Tochigi; Tazaki Hall Espace Media, Kobe, Japan | |
| 1984 | Endgame: Robert Morris, Laurie Anderson, Robert Longo, Hunter College Art Gallery, New York (cat.) |
| The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney, Australia (cat.) | |
| Alibis, Centre Georges Pompidou, Musee National d'Art Moderne, Paris (cat.) | |
| Automobile and Culture, Museum of Contemporary Art, Los Angeles; (1985) Detroit Institute of Art, Michigan | |
| The Human Condition: Biennial III, San Francisco Museum of Modern Art | |
| The Heroic Figure, Contemporary Arts Museum, Houston; (1984-1985) Brooks Memorial Art Gallery, Memphis; Alexandria Museum, Alexandria, Kentucky; The Santa Barbara Museum of Art, Santa Barbara, California (cat.) | |
| Currents, Institute of Contemporary Art, Boston | |
| Content: A Contemporary Focus, 1974-1984, Hirshhorn Museum, Washington, D.C. (cat.) | |
| La Narrativa Internacional de Hoy, Museo Rufino Tamayo, Mexico City; (1985) P.S. 1, New York | |
| Disarming Images, The Contemporary Arts Center, Cincinnati; (1984-1985) University Art Gallery, San Diego State University, California; Museum of Art, Washington State University, Pullman; New York State Museum, Albany; University Art Museum, University of California, Santa Barbara; Munson-Williams-Proctor Institute Museum of Art, Utica, New York,; Fine Arts Gallery, University of Nevada, Las Vegas; Baxter Art Gallery, California Institute of Technologu, Pasadena; Yellowstone Art Center, Billings, Montana; Bronx Museum of the Arts, New York | |
| Szene New York '84, Rheinhallen, Koln Messe, Cologne (cat.) | |
| 1983 | Drawing Conclusions, Daniel Weinberg Gallery, Los Angeles and San Francisco |
| Directions 1983, Hirshhorn Museum, Washington, D.C. (cat.) | |
| 1983 Biennial exhibition, The Whitney Museum American Art, New York (cat.) | |
| The New Art, Tate Gallery, London (cat.) | |
| Brave New Works: Recent American Painting and Drawing, Museum of Fine Arts, Boston | |
| Back to the U.S.A., Kunstmuseum Lucerne; (1983-1984) Rheinishes Landesmuseum, Bonn; Wurttembergischer Kunstverein, Stuttgart (cat.) | |
| Dahn, Daniels, Genzken, Holzer, Longo, Visch, Stedelijk van Abbemuseum Eindhoven, Holland (cat.) | |
| Drawings Photographs, Leo Castelli, New York | |
| The Heroic Figure: Thirteen Artists from the United States, Museum de Arte Moderna, Rio de Janeiro; Museo Nacional de Bellas Artes, Santiago; Museo de Arte Contemporaneo, Caracas | |
| An International Survey of Recent Painting and Sculpture, MoMA, New York (cat.) | |
| 1982 | Dynamix, The Contemporary Arts Center, Cincinnati; Ohio State University, Colombus; Allen Memorial Art Museum, Oberlin, Ohio; The Butler Institute of American Art, Youngstown, Ohio; The University Art Museum, University of Kentucky, Lexington (cat.) |
| The Human Figure in Contemporary Art, Contemporary Arts Center, New Orleans | |
| Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis (cat.) | |
| Focus on the Figure: Twenty Years, The Whitney Museum of American Art, New York (cat.) | |
| Documenta 7, Kassel, West Germany (cat.) | |
| A Fatal Attraction: Art and the Media, The Renaissance Society, University of Chicago | |
| Drawings, Blum Helman Gallery, New York | |
| New Figuration in America, Milwaukee Art Center (cat.) | |
| The American Expressionist Image from Pollock to Today, Sidney Janis Gallery, New York | |
| The Image Scavengers, Institute of Contemporary Art, Philadelphia (cat.) | |
| Body Language, Committee for the Visual Arts, MIT, Cambridge, Massachusetts (cat.) | |
| Urban Kisses, Institute of Contemporary Art, London | |
| 1981 | Il Gergo Inquieto, Museo Sant'Agostino, Genoa, Italy |
| Tableau, Wave Hill, New York (cat.) | |
| Picturealism - New York, Galerie Chantel Crousel, Paris | |
| Westkunst: Today Section, Museen der Stadt Koln, Cologne (cat.) | |
| Drawings, Metro Pictures, New York | |
| Body Language: Figurative Aspects of Recent Art, Hayden Gallery, Massachusetts Institute of Technology, Cambridge; (1982-1983) Forth Worth Art Museum, Texas; University of South Florida Art Gallery, Tampa; Contemporary Arts Center, Cincinnati | |
| Figures: Forms and Expressions, Albright-Knox Art Gallery, Buffalo, New York (cat.) | |
| 1980 | Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, Contemporary Arts Museum, Houston (cat.) |
| Illustration & Allegory, Brooke Alexander Gallery, New York (cat.) | |
| Opening Group Exhibition, Metro Pictures, New York | |
| 1979 | Re: Figuration, Max Protetch Gallery, New York |
| 1977 | In Western New York, Albright-Knox Art Gallery, Buffalo, New York (cat.) |
| Pictures, Artists Space, New York; (1977-1978) Allen Memorial Art Museum, Oberlin, Ohio; Fine Arts Museum, University of Colorado, Boulder; Los Angeles Institute of Contemporary Art (cat.) | |
| 1976 | Convergence and Dispersal, S.E.M. Festival, Albright -Knox Art Gallery, Buffalo, New York |
| Hallwalls Group Show, Artists Space, New York | |
| 1975 | Working on Paper, Hallwalls (opening exhibition), Buffalo, New York |
Film and Video Direction |
|
| 2000 | Limited and Unlimited Editions, Artists Space, New York (benefit exhibition) |
| 1998 | Stills: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Annandale-on-Hudson, New York (brochure) |
| 1997 | Heinrich Heine - A Birthday Video, 1 hr. film starring: Klaus Pohl, Barbara SUkowa, Sanda Wiegl & CIndy Sherman, made for Arté television channel (France, Germany), WDR and Icon Pictures |
| 1995 | Johnny Mnemonic, feature film starring: Keanu Reeves, Dolph Lundgren, Barbara Sukowa, Henry Rollins, Ice-T Takeshi Kitano and Dina Meyer. Adaptation of a short story by William Gibson. Caroloco Films, Tristar Pictures |
| 1994 | Art in Embassies Program, U.S. Embassy, Copenhagen, Denmark |
| 1993 | Series showcasing all films and videos directed by Robert Longo at ELAC (Espace Lyonnais d'Art Contemporain, Lyon, France |
| 1992 | Tales From the Crypt: This'll Kill Ya, featuring Sonia Braga, Dylan McDermott, Premier HBO episode for the television series |
| Plan B's Life's A Beat, Hamburg, Germany, Markenfilm | |
| Helmet's Give It, featuring Eric Bogosian, Icon Pictures | |
| 1988 | Vernon Reid and Living Colour's Middle Man, Epic Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures |
| Ruben Blades' Hopes on Hold, Elektra Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures | |
| American Vanity, 10 min. video starring: Eric Bogosian, produced by Victoria Hamburg, edited by Gretchen Bender, Pressure Pictures | |
| 1987 | Arena Brains, Elektra/ Asylum Records, 34 min. film premiered at New York Film Festival, released on home video in 1988, produced by Victoria Hamburg and Jonathan Bender, edited by Rick Feist, written by Eric Bogosian, E. Max Frye, Robert Longo, Emily Prager and Richard Price, Pressure Pictures. |
| R.E.M.'s The One I Love, IRS Records, produced by Victoria Hamburg, edited by Gretchen Bender, nominated for Best Director, MTV Awards, 1988, Pressure Pictures | |
| Wild Cards, MTV, series of Art Breaks, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures. | |
| World Saxophone Quartet's Hattie Wall, Elektra/ Nonesuch Records, produced by Victoria Hamburg, edited by Michael F.W. Collins, Pressure Pictures | |
| 1986 | Golden Palominos' Boy (go), Celluloid Records, produced by Melissa Lewis, edited by Gretchen Bender |
| New Order's Bizarre Love Triangle, Factory Communications, produced by Michael Shamberg, edited by Gretchen Bender | |
| Megadeth's Peace Sells, Capitol Records, produced by Victoria Hamburg, edited by Gretchen Bender, Pressure Pictures | |
Awards: |
|
| 2005 | The Goslar Kaiser Ring |
Performances, Installations and Design |
|
| 2006 | The Movement of Images, Centre Pompidou Editions, Paris, (cover design) |
| 1999 | Dorfman Projects, New York |
| 1993 | Suicide in Madrid, set and costume design for the play by Klaus Pole, at the Schauspielhaus, Zürich, Switzerland; touring in Hamburg, Düsseldorf, Cologne, Münich, Edinburgh, New York, London and Tokyo |
| 1992 | Lucio Silla, Co-Director, set and costume designer for the Mozart Opera, Mozart Festival, Salzburg, Austria. Also presented at the 1993 Mozart Festival, Salzburg, Austria; 1995 Mozart Opera, Frankfurt Opera House, Frankfrt. |
| 1989 | Dream Jumbo: Working the Absolutes, Royce Hall, UCLA, Los Angeles |
| 1988 | Solid Ashes, a collaboration with Janine Brogt and Paul Gallis Rotterdamse Schouwburg, Rotterdam |
| 1987 | Killing Angels, Burchfield Art Center, Buffalo State College, Buffalo, New York |
| 1985 | Performance Works 1977-1981, The Brooklyn Museum, New York |
| 1984 | Sound Distance of a Good Man, Surrender, Corcoran gallery Annex, Venice California |
| 1982 | Sound Distance, The Kitchen, New York |
| 1981 | Empire: A Performance Trilogy, The Corcoran Gallery of Art, Washington, D.C. |
| 1979 | Surrender, Moderna Museet, Stockholm; Amerika Haus, Berlin; American Center, Paris; Van Abbemuseum Eindhoven, Holland |
| 1978 | Sound Distance of a Good Man, Franklin Furnace, New York |
| 1976 | Artful dodger/ L'Espace comme fiction, Hallwalls, Buffalo, New York |
| The Water in the Bucket/ The Cloud in the Sky, Visual Studies Workshop, Rochester, New York | |
| Temptation to Exist/ Things I Will Regret, Artists Space, New York | |
Bibliography |
|
| 2012 | Drawings on Geology, Serge Onnen, J&L Books, New York |
| 2011 | Legacy: The Emily Fisher Landau Collection, The Whitney Museum of American Art, New York, Yale University Press, New Haven and London, pp. 176-177, 342 Katy Siegel, Since ’45, Reaktion Books, London, pp. 78-81, 87, 91 “Apocalypse Now,” Newsweek, March 28, cover |
| 2009 | Robert Longo: Men in The Cities, Photographs, Texts by Richard Price and Cindy Sherman, Schirmer/Mosel |
| Steve Pullimood, "Robert Longo Surrenders the Absolutes," ArtInAmericamagazine.com, May 28 | |
| The Pictures Generation: 1974-1984, Douglas Eklund (ed.), The Metropolitan Museum of Art, Yale University Press | |
| Holland Cotter, "At the Met, Baby Boomers Leap Onstage," The New York Times, April 24, pp. C27, C30 | |
| Linda Yablonsky, "Photo Play: The Social Life of the Pictures Generation," Art in America, April, pp. 102-108 | |
| Boyer Tresaco, Best New York Art 2008/2009, Theredoom, New York, pp. 100-103 | |
| Christopher Miles, "Art Around Town," LAWeekly.com, January 7 | |
| Glenn O'Brien, "Robert Longo," Purple, Issue #11, Spring/Summer, pp. 314-321 | |
| 2008 | Interieur/ Exterieur: Living in Art, Kunstmuseum Wolfsburg, Hatje Cantz Verlag, Ostfildern, pp. 49, 52, 186, 196-197 |
| "Robert Longo," Dossier, Issue No. 1, pp. 26-31 | |
| New York Chanel Mobile Art, Issue #3, pp. 11-12, 17-18, 129-130 | |
| The Big Bang, Museo Carlo Bilotti, Rome, pp. 18 - 31 | |
| Casey Ruble (ed.) to: Night, Contemporary Representations of the Night, Hunter College Art Galleries, New York, p. 37 | |
| Robert Longo: Intimate Immensity, Galeria Soledad Lorenzo, Madrid, Spain. Essay by Richard Milazzo | |
| The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Gunma Museum of Art, Tatebayashi, Japan, p. 95 | |
| Keely Orgeman, Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, Boston, pp. 42-43 | |
| Matthieu Poirer (ed.), Landscope: Landscape and Contemporary Drawing, Galerie Thaddaeus Ropac, Paris, pp. 38-41 | |
| Ken Johnson, "Will the Revolution Be Museumized? Will There Be a Revolution?' The New York Times, July 25, p. E29 | |
| Nina P. West, "Louder Than Bombs," www.forbes.com, February 21 | |
| 2007 | Francesco Spampinato, "Art-Toy Story," Impackt: Contenitori e Contenuti, #2, pp. 108.120 |
| Dominic Molon, Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago, pp. 43-47 | |
| Chad Radford, "Sympathy for the Devil: At and Rock and Roll Since 1967," Art Papers, November/ December, pp. 52-53 | |
| Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, CCS Bard Hessel Museum, Annandale-on-Hudson, New York, p. 28 | |
| Joanne Bernstein, The UBS Art Collection: Drawings, UBS AG, Zürich, pp. 160-161 | |
| "The Producers," Artforum, October, pp. 352-359, 402 | |
| Dorothy Spears, "It's Only Rock and Art, but They Like It," The New York Times, September 30, p. 30 | |
| History Will Repeat Itself, Inke Arns and Gabriele Horn (ed.), KW Institute for Contemporary Art, Berlin, pp. 134-137 | |
| Panick Attack! Art in the Punk Years, Mark Sladen and Ariella Yedgar (ed.), Merrell Publishers Limited, London pp. 102-103 | |
| Collection Art Contemporain, Éditions du Centre Pompidou, Paris, p. 284 | |
| Christopher Bollen, "Disaster Art," Vman, Spring/ SUmmer, Isuue 8, p. 88 | |
| Jonathan T.D. Neil, "Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace," Art Review, February, p. 132 | |
| Sarah Valdez, "Robert Longo: Review," Art on Paper, January/ February, p. 89 | |
| 2006 | Fifth Interpretation of the Collections, La Colección Jumex, Pachuca, Mexicao, p. 213 |
| The Movement of Images, Centre Georges Pompidou Editions, Paris, pp. cover, 102 | |
| "Robert Longo," The New Yorker, December 4, pp. 24 | |
| Sarah Douglas, "Staying Power," Art + Auction, November, pp. 160-167 | |
| Galerie Daniel Templon: 40 ans," Communic'Art, Paris, pp. 304, 386, 595 | |
| No. 1, Francesca Richer and Matthew Rosenzweig (ed.), D.A.P., New York, p. 225 | |
| Tilman Osterwold, Irritation des Gleichgenwichts, Snoeck, Cologne, pp. 51-53 | |
| Germano Celant and Lisa Dennison, New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Skira, Monaco, pp. 480-483 | |
| Hatje Cantz Verlag, Flashback: Revisiting the Art of the 1980s, Kunstmuseum Basel; Museum fur Gegenwartskunst, Switzerland | |
| 2005 | Neo-Baroque!, curated by Miacaela Giovanotti and Joyce B. Korotkin, Byblos Gallery, Charta Publishers, Milan |
| Richard Lacayo, "How Does '80s Art Look Now," Time, 26 March, pp. 58-62 | |
| Robert Longo: Fire, Water, Rock 2003-2005, Emilio Mazzoli Galleria d'Arte Contemporanea, Modena, Italy. Essays by Richard Milazzo and Achille Bonito Oliva | |
| Jordan Kantor, Drawing from the Modern: After the Endgames, The Museum of Modern Art, New York, p. 105 | |
| Werner Spies, Robert Longo: Deep Silence, Monchehaus Museum Publishing, Goslar | |
| Robert Longo, "A Universe in Climax SOnic Grandeur: Robert Longo Talks with Glenn Branca," Yard, Ellen Ross (ed.), London Terrace Station, New York, pp.46-53 | |
| 2004 | Joyce B. Korotkin, "The Neo-baroque Era," Tema Celeste, July/August, Issue 104, pp. 38-45 |
| Andrea Bellini, "New York Tales - Reflections in a Glass Curtain," Flash Art, May-June, pp. 114-116 | |
| Maxine Kopsa, "Whitney Biennial 2004," Metropolis M, Number 3, pp. 120-121 | |
| Eleanor Heartney, "The Well-Tempered Biennial," Art in America, June/July, pp. 70-77 | |
| Francine Koslow Miller, "Robert Longo - Metro Pictures," Tema Celeste, May/June, p. 90 | |
| Eleanor Heartney, "Robert Longo at Metro Pictures," Art in America, September, pp. 12-17 | |
| Yigal Nizri, "Controlled Entropy," Studio - Israeli Art Magazine, Issue 152, May, pp. 12-17 | |
| 2003 | Peter Kalb, "Robert Longo at Metro Pictures," Art in America, January, p. 101 |
| "Robert Longo Talks to Mary Haus," interview with Mary Haus, Artforum, March, pp. 238-239 | |
| Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia, Vera Dika, Cambridge University Press, New York, pp. 8-9, 36-41 | |
| Francisco Calvo Serraller, "Explosión nuclear de la rosa," La Razón | |
| Javier Díaz-Guardiola, "Robert Longo: Quiero que mis imagines ocurran al ser vistas, que salpiquien como las de Pollock," ABC Blanco y Negro Cultural | |
| Irene Porras, "Robert Longo: Lust of the Eye," Ubicarte.com | |
| José Marín-Medina, "Robert Longo, belleza obscena," El Cultural, El Mundo | |
| Carlota De Alfonso, "Robert Longo, la confrontación como estrategia," El Punto de las Artes | |
| Rafael Soldevilla, "Robert Longo: Bombas y Rosas," Man | |
| Pablo Sobisch, "El Otro New York," Guia del Ocio | |
| S/F. "Robert Longo," La Voz de Galicia | |
| Óscar Alonso Molina, "Robert Longo," Arte y Parte | |
| S/F. "Erotismo Vital," Descubrir el Arte | |
| S/F. "Las guerras posmodernas," Arte y Naturaleza | |
| S/F. "Robert Longo," Gui del Ocio | |
| Christina Parra, "Robert Longo," Metaphore | |
| Javier Montero, "Juegos de Guerra," La Luna | |
| Christina Parra, "ARTE," Metaphore, Volume 7, June, pp. 90-93 | |
| 2002 | Dena Shottenkirk, "Conceptual Think-See," C, Toronto, Spring, pp. 14-17 |
| Melodrama, Atrium, Vitoria-Gasteiz, Spain, pp. 36-41 | |
| Joyce B. Korotkin, "A Force of Nature," Tema Celeste, September/October, pp. 74-77 | |
| Paul H-O, "September Tsunami," Artnet.com Magazine, September | |
| Rapture, Barbican Gallery, London, pp. 162-163 | |
| "Robert Longo," The New Yorker, October 14 & 21, p. 44 | |
| Christopher Bollen, "Robert Longo - Monsters," Time Out New York, October 17-24, p. 80 | |
| Harper's Magazine, December, p. 20 (illustration) | |
| The Freud Drawings, Krefelder Kunstmuseen, Krefeld, Germany | |
| Lilly Wei, "Robert Longo - Metro Pictures," ARTnews, December, p. 117 | |
| 2001 | Kim Levin, "Robert Longo," The Village Voice, February 6, p. 78 |
| Meghan Dailey, "Robert Longo: The Freud Drawings," Time Out New York, February 15-22, p. 54 | |
| Joyce B. Korotkin, "Robert Longo - Metro Pictures," The New York Art World, March, p. 16 | |
| Doald Kuspit, "Robert Longo - Metro Pictures," Artforum, April, p. 138 | |
| Carey Lovelace, "Robert Longo at Metro Pictures," Art in America, May, p. 172 | |
| Robert Curcio, "Robert Longo: The Next Wave," dART, Spring, pp.18-19 | |
| Postmodernism, Eleanor Heartney, tate Publishing, London, pp. 32-33 | |
| Roberta Smith, "When Photography Became Postmodern," The New York Times, June 29, p. E36 | |
| David Rimanelli, "Signs of the Time," Artforum, October, pp. 130-132 | |
| Robert Longo, "Paperview," Paper, November, p. 30 | |
| Streit-Lust - For Argument's Sake, Ludwig Forum für Internationale Kunst, Aachen, Germany, p. 55 | |
| Werner Spies, "What was left of the Doctor: Robert Longo and His Cycle on Sigmund Freud's Apartment in Vienna," Frankfurter Allgemeine Zeitung, September 8, 2001 | |
| 2000 | Art Since 1940: Strategies of Being, Jonathon Fineberg (ed.), Calmann & King, p. 450 |
| End Papers, Judy Collischan (ed.), Neuberger Museum of Art, Purchase College, State University of New York | |
| Sentímento del 2000, Daniela Palazzoli (ed.), Electra, Milan p. 215 | |
| "Limited and Unlimited editions," Artists Space, New York (benefit brochure) | |
| Joyce Korotkin, "People's Choice: Favorites From the Montclair Art Museum," NY Arts, February, pp. 20-21 | |
| Modern Art in the USA, Patricia Hills, Prentice Hall, New Jersey, p. 367 | |
| Art at Work - Forty Years of The Chase Manhattan Collection, foreward by William B. Harrison, Jr., The Chase Manhattan Corporation, New York, pp. 196-197 | |
| Robert Longo: 1980-2000, essays by Achille Bonito Oliva and Richard Milazzo, Galleria Emilio Mazzoli, Modena, Italy | |
| 1999 | "The Wired Diaries," Wired, January, p. 127 |
| Performance: Live Art Since 1960, by Roselee Goldberg, Abrams, New York, p. 200 | |
| The Virginia & Bagley Wright Collection, essays by Trevor Fairbrother & Bagley Wright, Seattle Art Museum, p. 132 | |
| Laurence A. Rickels, "American Psychos," Art/Text, November, pp. 58-63 | |
| Ann Landi, "Robert Longo: Dorfman Projects," ArtNews, December, p. 175 | |
| The American Century: 1950-2000, Lisa Phillips (ed.), Whitney Museum of American Art, p. 308 | |
| 1998 | Whitney Scott, "TV Junkie," Manhattan File, December '97/ January '98, p. 34 |
| Owen Drolet, "A More Intimate Longo," Flash Art, January/ February, p. 45 | |
| David Frankel, "Robert Longo: Metro Pictures," Artforum, March, p. 100 | |
| The Edward R. Broida Collection: A Selection of Works, Sue Scott, The Orlando Museum of Art, Flordia | |
| Grady G. Turner, "Robert Longo," Flash Art, March/April, pp. 113-114 | |
| "Robert Longo," The Monthly Art Magazine Wolgan Misool, Korea, Issue 2, February. p. 107 | |
| John Loughery, "American Art: the Center of the Edge," The Hudson Review, vol. 51, no. 1, Spring, pp. 181-188 | |
| Stills: A Selection from the Marieluise Hessel Collection, essay by Ivo Mesquita, Center for Curatorial Studies, Annandale-on-Hudson, NY (brochure) | |
| Maia Damianovic, "Robert Longo," Tema Celeste, Milan, p. 62 | |
| Superheroes, Cotthem Gallery, Cotthem, Belgium; Cotthem Gallery, Barcelona, Spain (cat.) | |
| H.H. Arnason & Marla F. Prather, History of Modern Art (4th Edition), Harry N. Abrams, New York, pp. 711-712 | |
| Art of the 20th Century (vol. I & II), essays by Klaus Honnef, Indigo F. Walther, Christiane Friche, Manfred Schneckenburger, Karl Ruhrburg, Benedikt Taschen, New York, pp. 561, 573-574 | |
| 1997 | Past, Present, Future: The 47th International Art Exhibition, The Venice Biennale, essays by Germano Celant and Lino Micciché, Venice, Italy |
| David Rimanelli, "A/Drift," Artforum International, February, p. 83 | |
| "Robert Longo in Something Wild," Brutus Magazine, Japan, Vol. 2/1, No. 450, p. 29 | |
| David D'Arcy, "The Bigger Picture," Avenue, February, pp. 64-69 | |
| Robert Longo: Magellan, essay by Thomas Kellein, Kunsthalle Tübingen, Kunsthal Rotterdam, Kunsthalle Bielefeld, du Mont, Cologne, Germany | |
| "Der Magellan-Zyklus von Robert Longo," Die Tagerszeitung, April 12/13, p. 14, Kultur | |
| Bang! The Gun as Image, essay by Roald Nasgaard, Florida State University Museum of Fine Arts, Tallahassee, Florida | |
| Heinz Peter Schwerfel, "A Journey Through a Flood of Images," Art, April, pp. 80-85 | |
| Burkhard Meier-Grolman, "Den Wasserhahn Aufgedreht," Feuilleton, April 16 | |
| Gaby Czöppan, Annette Schipprack, "Ein Amerikanischer Held," Focus, #15, April, pp. 126-129 | |
| Heinz Peter Schwerfel, "Eine Reise durch die Bilderflut," Art Das Kunstmagazin, #4, April pp. 80-85 | |
| Ruth Handler, "Denkmal fur Aufsteiger und Abesturzte," Die Welt, April 23, p. 10 (culture segment) | |
| Gunter Scheinpflug, "Die Intimitat der Gewalt," Das Sonntegsblatt, #17, April 25 | |
| "Der Magellan-Zyklus von Robert Longo," Die Tageszeitung, 13/14 April, p. 14 (culture segment) | |
| Birgit Sonna, "Ein Panoptikum aus zweiter Hand," Sudeutsche Zeitung, #92, April 22, p. 14 | |
| Viet Muller, "Geistige Entdeckungsreise," Sudkurier #86, (Arts segment) | |
| Tom Holert, "Stil und Gewalt," Robert Longo, New Yorks Zeitgeistkunstler der Achtziger, ist wieder da," Vogue (Germany), April, p. 128 | |
| Thyrza Nichols Goodeve, "Artists Making Movies," Guggenheim Magazine, Spring, pp. 40-47 | |
| Christian Gampert, "Klohauschen fallen unter Nebenkosten," Die Tageszeitung, April 12/13, p. 14 (Arts segment) | |
| Roberta Smith, "Another Venice Biennale Shuffle to Life," The New York Times, June 16, pp. C11-12 (Arts segment) | |
| Roberta Smith, "20th Century Tête-á-Têtes," The New York Times, July 11 | |
| Adam Gopnik, "The Repressionists: A New Group of Painters Haunts the Biennale," New York, July, pp. 86-88 | |
| Birmingham City Paper, September (cover) | |
| Lasting Impressions: Twentieth-Century Prints from the Permanent Collection, Birmingham Museum of Art, pp. 10-11 (brochure) | |
| Views From Abroad: European Perspectives on American Art 3, essays by Nicholas Serota, Sandy Narine, Clement Greenberg, Whitney Museum of American Art, New York | |
| Grace Glueck, "Robert Longo: Magellan Series," The New York Times, December 12, p. E41 | |
| Stills: Art and Cinema in the Marieluise Hessel Collection, essays by Vasif Kortun & IvoMesquita, Centro Cultural Light, Rio de Jeneiro | |
| Paul Ardenne, Art: L'Âge Contemporain, Regard, Paris, p. 169 | |
| Kleine Schware, "Baby Come Black," Süddeutsche Zeitung Magazin, #52, December 24, pp. 26-33 | |
| A/Drift, Joshua Decter (ed.), Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York (cat.) | |
| John Haber, "Encyclopedia Salesman," www.haberarts.com | |
| 1996 | Flash Art News, "Johnny Mnemonic Gets Pinned," Flash Art, January/ February, p. 39 |
| Carter Ratcliff, "The Fate of a Gesture: Jackson Pollock and Post War American Art," Farrar, Straus, Giroux, New York, pp. 276-279, 286-288, 291, 299-301 | |
| Dike Blair, "Artists' Dream Machines: The Films of Longo, Salle and Clrk," Flash Art, March/April, pp. 78-82 | |
| Timothy Greenfield-Sanders, Timothy Greenfield-Sanders: Selected Portraits, Kunst-Station Sankt Peter, Koln (cover) | |
| Rob Perée, "Kunstenaars Op De Stoep Van Hollywood," Kunstbeeld, October, pp. 28-31 | |
| Ronald Ehmke (ed.), with Elizabeth Licata, Consider the Alternatives: 20 Years of Contemporary Art at Hallwalls | |
| American Images: The SBC Collection of Twentieth-Century Art Surface: Contemporary Photographic Practice, Vicky Hayward (ed.), essay by Michael Mack | |
| 100 Photographs from the Collection, Stedelijk Museum, Amsterdam, Holland | |
| Martha Schwendener, "Catch My Drift," Time Out, December 12-19, p. 40 | |
| Roberta Smith, "Finding Art in the Artifacts of the Masses," The New York Times, December 1, pp. 43-44, 46 (Arts and Leisure) | |
| 1995 | Suzanna Andrews, "Down and Out on $350,000 a Year," New York Mgazine, Feb. 13 (cover illustration) |
| Brian D'Amato, "Electric: On Robert Longo's Johnny Mnemonic," Artforum, Summer, pp. 23-24, 123 | |
| Evelyn Schels, "Strassen Kampfer," Elle, March, pp. 90-94 | |
| "Lights, Camera, Artists," Manhattan File, March p. 22 | |
| Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, New York | |
| It's Only Rock and Roll, Contemporary Arts Center, Cincinnati, Ohio (traveling venues through 1998) | |
| Jeffrey Hogrefe, "Going Hollywood," Art News, May, pp. 132-133 | |
| Rebecca Mead, "They Want To Be in Pictures," New York Magazine, May 1, pp. 56-59 | |
| "Johnny Mneumonic: Nilo Rodis and Robert Longo," Los Angeles Times, May 14 | |
| Conroy S. Powell, "Longo: Larger Than Life," World Art, #1, pp. 48-51 | |
| Kristine McKenna, "It's Just Art on a Big Screen," Los Angeles Times, May 21, pp. 6, 84 | |
| Rogier van Bakel, "Remembering Johnny," Wired, June, pp. 154-157, 204-206 | |
| Robert Atkins, "An Interview with Robert Longo," Wired, Surf Issue, No. 1, June, pp. 82-88 | |
| Robert Longo: A Retrospective, The Isetan Museum of Art, Tokyo; Ashikaga City Museum, Ashikaga; Kirin Plaza Art Space, Osaka | |
| Carlo McCormick, "Robert Longo's Mnemonic Device," Paper, June, pp. 40-41 | |
| Greg Lynn, "A Physique Out of Proportion," Architecture New York, #11, pp. 42-49 | |
| David A. Greene, "Crossover Dreams," Frieze, #24, Sept/Oct., pp. 35-36 | |
| Ken Johnson, "Johnny Mnemonic," Art in America, October, pp. 59-60 | |
| Printmaking in America: Collaborative Prints and Presses 1960-1990. Illinois: Abrams/Block Gallery, Northwestern University; New York: Harry N. Abrams, Inc. | |
| Elizabeth Licata, "Living With Art," Artnews, December, pp. 87-90 | |
| (Op) Art Galerie, essays by Renate Damsch-Wiehager, Galerie Hans Mayer, Düsseldorf, Germany | |
| 1994 | Collier Schorr, "Robert Longo: Metro Pictures," Frieze, January/ February, issue 14, p. 51 (illustration) |
| Vincent Katz, "Robert Longo: Metro Pictures," Art News, February, vol. 93, no. 2, p. 136 | |
| Andrew Katz, "Robert Longo: Metro Pictures," Artforum, February, vol. XXXII, No. 6, p. 85 (illustration) | |
| Eleanor Heartney, "Robert Longo at Metro Pictures," Art in America, March, pp. 99-100 | |
| Peter Plagens, "I Ought to be in Pictures," Newsweek, April 18, pp. 58-60 | |
| Jonathan Romney, "Shooting from the Hip," The Guardian, May 19 | |
| Drawings: Reaffirming the Media, University of Missouri, Kansas City Gallery of Art | |
| Christopher Chapman, "Bite the Bullet," World Art, Vol. 1, No. 2, pp. 62-66 (illustration) | |
| Oh Boy, It's a Girl: Feiminismen in der Kunst, Kunstverein Munich | |
| 1993 | "Stilles Mahnmal gegen den Krieg," ART, January |
| "Riesenkreuze aus Wachs," SuedWest Presse, March 9 | |
| Joan Matebosch, "Lucio Silla de Mozart, emblema del Nuevo Salzburg de Mortier, ABC Cataluna, January 29 | |
| Sybil Roter, "Mozart hat mich gerufen," Musik und Theater, March 3, pp. 38-41 | |
| "Salzburger Mozartwoche," Abendzeitung Muenchen, December 16 | |
| Heinz Joseph Herbort, " Oper kann das Groesste seyn," Die Zeit, February 5, p. 58 | |
| Anton Gugg, "Ein Fest der Bilder," Die Welt, January 26, p. 8 | |
| "Lucio Silla," Die Weltwoche, January 28 | |
| Marianne Zelger-Vogt, "Die Macht der Bilder, Macht der Musik," Neue Zuericher Zeitung, January 27, p. 21 | |
| Gerhard Rohde, "Seelendurchblicke, fotografisch geschaerft," Frankfurter Allgemeine Zeitung, January 26, p. 25 | |
| "The Assistant Question. Interviews with 23 artists," Art in America, January, pp. 85-86 | |
| Angelika Heinik, "Badewanne und Oelflasche. ARCO, Madrid," Frankfurter Allgemeine Zeitung, February | |
| Thomas Delekat, "Bilder einer Ausstellung, " Die Deutsche Buehnde, March | |
| Andreas Stockinger, "Supermans rotgoldene Himmelfahrt oder das Ende einer Epoche," Der Standart, Vienna, January 29 | |
| Daniele Pabinger, "Superlative vergoldet beerdigt," SVZ, February 4 | |
| Heinz-Norbert Jocks, "Installazione When Heaven and Hell Change Places," Domus, March, pp. 78-81 | |
| Four American Artists (Longo, Schnabel, Salle, Fischl), Ho-Art Museum, Seoul, Korea | |
| The 21st Century, Kunsthalle Basel, Switzerland | |
| Deborah Treisman, "The Salzburg Set," Avenue, June/ July, p. 11 | |
| Heinz-Norbert Jocks, "Robert Longo: Ich bewundere immer Dinge auf die ich neidisch bin" (interview), Kunstforum, No. 123, pp. 288-297 | |
| Peter Schjeldahl, "Gun Nuts," The Village Voice, November 23, p. 90 | |
| Roberta Smith, "Classics from the Whitney Permanent Collection," The New York Times, Friday, November 19, p. C32 | |
| Martin Harrison, "Shots of Sound," Frieze, November/ December, pp. 37-40 | |
| Ann Hindry, "Les Images et Les Mots," interview with Rosalind Krauss, Art Press, September, pp. 42-47, original English version pp. E21-25 | |
| 1992 | Timothy W. Luke, Shows of Force: Power. politics, and Ideology in Art Exhibitions, Durham, North Carolina and London: Duke University Press |
| Allegories of Modernism: Contemporary Drawing, Museum of Modern Art, New York | |
| Kristine McKenna, "An Artist is Now a Director," Los ANgeles Times, June 27, pp. F1, F10 | |
| American Art of the 80's, essay by Jerry Saltz, Museo d'Arte Moderna e Contemporanea di Trento, Italy | |
| Beate Kayser, "Macht Lucio Silla endlich Karriere?" TZ Muenchen, December 16 | |
| Sabine Dulz, "Das Stueck verschlaegt einem den Atem," Muenchner Merkur, December 16 | |
| "When Heaven and Hell Change Places," Frankfurter Allgemeine Zeitung, November 25, p. 37 | |
| Karl Harb, "Stuecke nicht aktualisieren, sondern ihre Aktualiaet zeigen," Salzburger Nachrichten, December 16 | |
| "Riesen-Friedhof inder Galerie," Der Spiegel, November 6 | |
| 1991 | Artrandom: Robert Longo, text by William Gibson, Kyoto Shoin International Co., Ltd., Kyoto, Japan |
| Longo, interview by Thomas Kellein, essays by Paul Virilio, Kunstverein Hamburg and Deichtorhallen Hamburg, Dr. Cantz'sche Druckerei, Ostfildern bei Stuttgart | |
| Nancy Princethal, "Robert Longo," Art in America, January, p. 192 | |
| Eleanor Heartney, "Robert Longo," Art News, January, pp. 146-147 | |
| Jeanne Siegel, "Robert Longo at Metro Pictures," Tema Celeste, Mar/Apr, p. 92 | |
| Susan Chadwick, "Superstar Artist Lives Up to Hype in New Exhibition," Houston Post, April 20, pp. F1, F6 | |
| Erik Daehlin, Hundre Als Bildekunst, Dreyers Forlag, Oslo | |
| Patricia Jonson, "Art Reviews: Robert Longo," Houston Chronicle, April 24 | |
| Angelika Kindermann, "Nach dem K.O. kam die Karriere," Art November, pp. 146-147 | |
| Petra Kipphoff, "50 = 38 = 2x heute," Die Zeit, November 1, p. 68 | |
| Susanne Weingarten, "Manie der Korrektheit - Faszination des Schreckens," Frankfurter Allgemeine Zeitung, November 7, p. 35 | |
| David Galloway, "Trivial Materials, Moral Themes," International Herald Tribune, November 2 | |
| "Amerika - kritisch gesehen," Hamburger Abendblatt, October 26 | |
| Armin Voelckers, "Gefuehl und Haerte," Prinz, November, p. 132 | |
| G. Roger Denson, "Robert Longo: Quest for God and Country," Flash Art, October, pp. 110-114 | |
| Robert Longo, Hamburg Kunstverein | |
| 1990 | Peter Clothier, "Robert Longo: Los ANgeles County Museum of Art," Art News, January, p. 175 |
| David Humphrey, "Robert Longo: Los Angeles County Museum of Art, Linda Cathcart Gallery, UCLA Center for the Performing Arts," Flash Art, January/February, p. 135 | |
| Michael Anderson, "Robert Longo," Contemporanea, February, p. 84 | |
| Black Flags, essay by Caroline Smulders, Galerie Daniel Templon, Paris (cat.) | |
| Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, Neil Benezra (ed.), The Art Institute of Chicago, Thames and Hudson | |
| Owen McNally, "Monsters in the Gallery," The Hartford Courant, Hartford, Connecticut, June 8, Section B, pp. B1, B5 | |
| Susan White, "Robert Longo: A Baby of the NEA," Hartfod Advocate, June 4, p. 3 | |
| Andy Grundberg, "Longo in Hartford," The New York Times, August 24 | |
| Michael Brenson, "Robert Longo," The New York Times, October 26 | |
| Carter Ratcliff, "Longo's Logos," Artforum, January, pp. 105-110 | |
| Elizabeth Hess, "Robert Longo," The Village Voice, November 6 | |
| 1989 | David Rimanelli, "Robert Longo, Metro Pictures," Artforum, January, pp. 110-111 |
| John Sturman, "Robert Longo, Metro Pictures," Art News, January, p. 132 | |
| Lawrence Chua, "Robert Longo, Metro Pictures," Flash Art, January/ February, p. 120 | |
| Holland Cotter, "Robert Longo at Metro Pictures," Art in America, March, pp. 143-144 | |
| Christopher Lewis, "Mondo Longo," Art in America, March, pp. 35-39 | |
| Paul Bonaventura, "Robert Longo: A Report to the Future," Arte Factum, Antwerp, February/ March pp. 12-17 | |
| "Robert Longo: The Painted 'Moving' Picture," Mizue, Japan, Spring, pp. 88-91 | |
| Gert Z. Nordstrom, "Bilden I det Postmoderna Samhallet," Carlssons Bokforlag, Stockholm | |
| "Bravo Longo," interview by Marlaine Glicksman, Film Comment, April, pp. 42-46 | |
| A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, The MIT PRess, Cambridge, Massachusetts | |
| Germano Celant, Unexpressionism: Art Beyond the Contemporary, New York: Rizzoli International | |
| Kristina McKenna, "In the Footsteps of Warhol: Avant Garde Artists Take a Look at the New Criticality," The Los Angeles Times, May 7, pp. 90-92 | |
| Amy Tubin, "MTV Gets a Buzz On," The Village Voice, May 16, p. 53 | |
| 1989 Media Art Museum, Quest Hall, Tokyo (cat.) | |
| Hunter Drohojowska, "Pop Artist Provocateur," Bazaar Magazine, September | |
| Hunter Drohojowska, "The 80s: Stop Making Sense," Art News, October, pp. 146-151 (cover illustration) | |
| Toshiharu Ito, "Death and Topos in the Split Second: The World of Robert Longo," Mizue, Tokyo, Autumn, pp. 98-109 | |
| Akira Asada, Marie Claire Japon, October, pp. 399-404 | |
| Elizabeth Zimmer, "The Longo and Short of Dream," Herald Examiner, October 6, p. B2 | |
| Dan Sullivan, "A Young Pro Who Knows His Technology," The Los Angeles Times, Calendar Section, October 9, pp. 1-2 | |
| William Wilson, "Robert Longo: Too Much Too Soon," The Los Angeles Times, (calendar section), 1 October, pp. 1, 8 and 79, (cover illustration) | |
| Kim Leavin, "Studio Visit," Mirabella, October, pp. 50-51 | |
| David Lida, "La Longo Vita," Elle, October, pp. 244-246 | |
| M.D., "The Galleries," The Los Angeles Times, October 6, Part VI, p. 17 | |
| Jan Breslauer, "Longo's Dream Jumble: Multimedia in Six Acts," The Los Angeles Times, October 6, Part VI, pp. 18-19 | |
| Robert Longo, essay by Howard N. Fox, Hal Foster, Katherin Dieckman, Brian Wallis, Los Angeles County Museum of Art and Rizzoli, New York | |
| Fondation Daniel Templon: Muse Temporaire Exposition Inagurale, Frejus, France | |
| Jack Kroll, "Riding the Apocalypse - Dream Jumbo: Working the Absolutes," Newsweek, October 23, p. 80 | |
| Peter Frank, "Deliberate Provocation: Robert Longo Makes a Spectacle of Himself - and Us," LAWeekly, October 27 - November 2, pp. 65-67 | |
| Susan Kandel, "Robert Longo," Art Issues, Los Angeles, December, p. 25 | |
| Roy Traykin, "Robert Longo: Untitled," Details, December-January, p. 169 | |
| Image World: Art and Media Culture, essays by Marvin Heifferman and Lisa Phillips, The Whitney Museum of American Art, New York | |
| Sandra Tsing Loh, "Robert Longo's Dream Jumbo: Working the Absolutes at Royce Hall," LA Weekly, October 20, p. 89 | |
| 1988 | Richard Huntington, "The Good, the Bad and the Ugly," Art News, January, p. 9 |
| "Robert Longo," Bijutsu Techo, Tokyo, January, pp. 17-88 | |
| "Robert Longo: A Project for Artforum," Artforum, March, pp. 106-107 | |
| Klaus Honnef, Kunst der Gegenwart, Taschen, Koln | |
| "Mondo Longo," interview by Emily Prager, Interview, May, pp. 86-89 | |
| Lisa Robinson, "Robert Longo, the Artist as Rock Visionary," Vogue, June pp. 70-74 | |
| Didier Semin, "Pour la documenta a Champignac," Art Press, Paris, May, pp. 30-33 | |
| Visions/ revisions: Contemporary Representation, essay by Sam Hunter, Marlborough, New York | |
| Rita Gilbert and William McCarter, Living with Art | |
| Alfred A. Knopf The World of Art Today, essay by Russell Bowman, Milwaukee Art Museum | |
| Vera Dika, "Robert Longo: Performance Into Film, " Artscribe, London, Summer, pp. 72-76 | |
| Glenn Rechler, "Robert Longo" (interview), Splash, December | |
| American Art Since 1945, Tochigi Prefectual Museum of Fine Arts, Japan | |
| Het Postmodern Aan Kinderen Verklaard, Bonnefantenmuseum Maastricht, Holland | |
| Neal Benezra, "Overstated Means/ Undeerstated Meaning," Smithsonian Studies in American Art, Winter, pp. 19-31 | |
| Carlo McCormick, "Fighting the Longo Logo," Paper, October, p. 24 | |
| "Smart Set: Robert Longo," Smart, Fall, p. 15 | |
| Roberta Smith, "Robert Longo" (review), The New York Times, November 4, p. C24 | |
| Robert Atkins, "New This Week: Robert Longo," 7 Days, November 9, p. 63 | |
| Robert Atkins, "New This Week: Robert Longo," 7 Days, November 9, p. 63 | |
| "Solid Ashes: Lia Gieling in gespreh met Robert Longo," Nederelands Theaterbock, October, pp. 20-25 | |
| Hal Foster, "Robert Longo," Artstudio, Paris, Winter, pp. 102-121 | |
| 1987 | Eleanor Heartney, "Robert Longo, Metro Pictures," Art News, January, pp. 155-156 |
| J.W. Mahoney, "Robert Longo, Metro Pictures," New Art Examiner, February, p. 57 | |
| Donald Kuspit, "Robert Longo, Metro Pictures," Artforum, February, pp. 111-112 | |
| Jane Rankin-Reid, "Robert Longo, Metro Pictures, New York," Tema Celeste, Siracusa, Italy, February/March, pp. 57-58 | |
| Avant-Garde in the Eighties, essay by Howard N. Fox, Los Angeles County Museum of Art | |
| Robert Longo, "New York City, The Imperial City," New York, May, p. 4 | |
| Dan Cameron, "Robert Longo Metro Pictures," Flash Art, May, pp. 86-87 | |
| All America: The Catalogue of Everything American, New York: William Morrow and Company, Inc. | |
| "Documenta 8," Art, Hamburg, June, pp. 34-46 | |
| Implosion: A Postmodern Perspective, essays by Lars Nittve, Germano Celant, Kate Linker, Craig Owens, Moderna Museet, Stockholm | |
| "Documenta Special," Wolkenkratzer Art Journal, Frankfurt, June/July/August, p. 53 | |
| Documenta 8, Kassel, West Germany | |
| L'Eppoque La Mode La Morale La Passion, Centre Georges Pompidou, Musée National d'Art Moderne, Paris | |
| Robert Longo, "Richard Price" (interview), Interview, November, pp. 104-107 | |
| Philippe Dagen, "Robert Longo: l'art est necessairement politique," Le Monde Paris, June 6 | |
| "Le Longo Art," Actuel, Paris, June | |
| Demosthenes Davvetas, "L'Eruption de Robert Longo," Liberation, Paris, June | |
| Jean-Louis Pradel, "Unfort vent d'ouest nomme Longo," L'evenement du Jeudi, Paris, June 18 | |
| Dvid Hershkovits, "Just Like In the Movies," Paper, October, p. 25 | |
| David Hershkovits "Taking Direct Action," Harpers Bazaar, November | |
| Process and Product: The Making of Eight Contemporary Masterworks, essays by Donald Kuspit and Linda Weintraub, Bard College, Annandale-on-Hudson, New York | |
| Post-Abstract Abstraction, essay by Eugene Schwartz, The Aldrich Museum of Contemporary Art, Connecticut | |
| 1986 | An American Renaissance: Painting and Sculpture Since 1940, essay by Karen Koehler, Museum of Art, Fort Lauderdale |
| Carter Ratcliff, "Robert Longo," Artpress, Paris, February, pp. 12-15 (cover illustration) | |
| Robert Longo: Studies and Prints, essay by Michael Parke-Taylor, Norman Mackenzie Art Gallery, University of Regina, Sasketchawan, Canada | |
| Robert Longo: Sequences/ Men in the Cities, essay by Lucinda Barnes, University Art Museum, California State University, Long Beach | |
| Suzanne Muchnic, "Constant Lure of Longo's 'Men'," Los Angeles Times, March 31, part VI, pp. 1, 4 | |
| Fidel Danieli, "Robert Longo," Artscene, Los Angeles, March | |
| Alan Jones, "Robert Longo Goes to Hollywood," NY Talk, pp. 34-37 | |
| "Ars Longo," Vanity Fair, April, p. 25 | |
| Michael Brenson, "Art: Robert Longo and His 'Steel Angels'," The New York Times, May 16 | |
| Gabriele Perretta, "Robert Longo" (interview), Flash Art, edizione Italiano, June pp. 60-62 | |
| Das Automobil in der Kunst, Haus der Kunst, Munich | |
| Carter Ratcliff, "Urban Profit," Elle, October, pp 86, 88 | |
| Gerald Marzorati, "Longo's Journey into Hype," Vanity Fair, October, p. 134 | |
| Jos Van den Bergh, "De wereld volgens Robert Longo," Knack, Brussels, August, pp. 94-96 | |
| "Art Up Front: Robert Longo," Brutus, Tokyo, No 11/1 | |
| David Hershkovits, "Art Brat Grows Up," Paper, New York, p. 29 | |
| Richard Marshall and Robert Mapplethorpe, "50 New York Artists," Chronicle | |
| H.H. Arnason, History of Modern Art, third edition | |
| Longo in Tokyo, essay by Junji Itoh, Spiral Gallery, Wacoal Art Center, Tokyo | |
| Monumental Drawing: Works by 22 Contemporary Americans, essay by Charlotta Kotik, The Brooklyn Museum, New York | |
Born 1953, Brooklyn, NY